Surfaces can preserve histories of contact through scratches, stains, joints, repairs, weathering and repeated use, allowing wear and material transformation to function as evidence rather than as damage alone. Stone, Body, Rhythm provides the first material test through Mineral Choreographies, where a rustic wall is read through irregular stones, joints, weights and gaps; construction remains visibly negotiated, and the surface records the cumulative relation among gravity, assembly and material difference · SOCIOPLASTICS-2792 · GenealogyGradient · https://antolloveras.blogspot.com/2026/01/mineral-choreographies-and-poetics-of.html. Concrete Can Be Learned Through the Body provides the second through Blitz Beton, where porous concrete is treated as an artificial geology whose permeability and weathering make material change legible over time, transforming the concrete surface into a record of environmental exposure rather than a fixed finish · SOCIOPLASTICS-2742 · ErrorEmbodiment · https://antolloveras.blogspot.com/2026/01/blitz-beton-rotterdam.html. These works gain density across the field through Urban Taxidermy 094 · SOCIOPLASTICS-8407 · https://www.youtube.com/watch?v=hhO3rfIst-w; the Anto Lloveras archive of August 2020 · SOCIOPLASTICS-6052 · https://antolloveras.blogspot.com/2020/08; Urban Taxidermy Label 349 · SOCIOPLASTICS-5590 · https://tomototomoto.blogspot.com/search/label/34; The Dominant Academic Fiction Maintains Old Boundaries · SOCIOPLASTICS-2330 · https://lapiezalapieza.blogspot.com/2026/04/the-dominant-academic-fiction-maintains.html; Field Access and Core Infrastructure · SOCIOPLASTICS-2540 · https://antolloveras.blogspot.com/2026/04/field-access-and-core-infrastructure.html; LAPIEZA-LAB Label 242 · SOCIOPLASTICS-6250 · https://lapiezalapieza.blogspot.com/search/label/242; Mumford — The City in History · SOCIOPLASTICS-3409 · https://holaverdeurbano.blogspot.com/2026/05/mumford-l-nd-city-in-history-its.html; and Copos 540 — Bogotá Los Mártires Elin 732 · SOCIOPLASTICS-4597 · https://www.youtube.com/watch?v=vqN6s6gfSh. Across these returns, Mineral Choreographies and Blitz Beton provide two complementary records of contact: one preserves assembly through visible joints, weights and irregularity, while the other preserves environmental exposure through permeability and weathering. The surface therefore becomes a material register in which construction, use and time remain physically legible.