PlasticScale presents itself not as movement but as tribunal, an evaluative apparatus through which aesthetic authority is recalculated rather than ceremonially inherited. Within the ambit of Socioplastics, Anto Lloveras advances the formula IE = (C × T) / W as constitutional axiom: legitimacy arises from circulation and temporal persistence, attenuated by institutional weight. This proportional logic institutes EvaluativeSovereignty, displacing entrenched hierarchies with relational computation and redefining prestige as metabolic efficiency. While the procedural rigour of Sol LeWitt and the social plasticity of Joseph Beuys provide partial genealogies, PlasticScale surpasses both by embedding quantification within a juridical scaffold; similarly, where Michel Foucault diagnosed regimes of governance, Lloveras operationalises them into executable ratio. The 700-MUSE series functions as demonstrative case study: urban territory is parsed as metabolic ledger in which density, rent extraction and infrastructural entropy are indexed within a single algebraic frame, enacting MetabolicUrbanism as legislative practice. Here emerges InverseHierarchy, whereby light, traversable gestures accumulate disproportionate jurisdiction precisely through low institutional drag, converting mobility into evidentiary proof. Yet PlasticScale’s durability hinges upon AgonisticTransparency; its coefficients must remain contestable lest constitutional ambition ossify into dogma. Ultimately, this paradigm crystallises as ConstitutionalAesthetics, wherein artistic production assumes the character of infrastructural law, compelling the cultural field to confront its tacit mathematics and to recognise authority as relational computation rather than mystified inheritance. Lloveras, A. (2026) PlasticScale — Socioplastics Algebraic Evaluation Framework. Available at: https://antolloveras.blogspot.com/2026/02/plasticscale-socioplastics-algebraic.html