SOCIOPLASTICS LAPIEZA URBANAS 260129 BACKUP

 

SOCIOPLASTICS URBANAS 260129 BACKUP

 

::::::::: SOCIOPLASTICS

URBANAS CIUDAD LISTA 260129 BACKUP

PRINCIPALS

• ANTO LLOVERAS
• PAULA LLOVERAS CAMINOS

SKOGFINSK MUSEUM NORWAY 2017 RUSSIAN SALAD MOSCOW NEW DISTRICT TROLE ATELIERS MADRID SOUTH URBAN PUNCH LOVE LANDART MUSEUM OUR BOOKS STAND HERE FACTORY DESIGN AND SETS SNAKE HOUSING STRUCTURAL CONVERSATIONS LLLL ART AGENCY SERIES

ARCO MADRID ARTFAIR SPACE DESIGN AND FURNITURE EL PALMERAL MÁLAGA HONORABLE MENTION EASY RIDER THE CITY OF STEEL FIRESTATION OSLO SUBURBAN SQUARE DENMARK 2019 SWAN SEMINARIO CREP CURATED BY LLOVERAS ZONA DE OBRAS GLORY HOLE WOOD HOUSE PERFORMANCE SMALL CHANGE

URBANAS is an international art and urban planning agency Founded by siblings Paula Lloveras and Anto Lloveras, focused on cross-disciplinary projects merging architecture, science, urbanism, humanities, and conceptual art. Based in Spain and Norway, they run LAPIEZA ART SERIES and have curated over 130 exhibitions featuring 1500 works in collaboration with artists, collectives, and institutions. They also founded CAPA, a council dedicated to exploring hermeneutics and philosophical research at UCR3, and are developing a theoretical device called SOCIOPLASTICS to examine epistemology and narrative structures in urban and artistic practices. Educated at ETSAM Madrid, Delft, and Gothenburg, they’ve lectured at NTNU and other European institutions, with their work published in numerous magazines and two forthcoming books. NTNU UNIVERSITY CITY CAMPUS KEEPING THE FOREST UNTOUCHED EL ANDADOR GRAN SAN BLAS MADRID POSITIOANL ESSAYS FILMED PEOPLE THE EXPERIENCE OF THE CITY DOCTORAL SEMINAR UAM UNIVERSITY MADRID HEART SO BLACK INTYERMEDIAE MADRIC COMPETITION MEXICO PAVILION ARCO LANDSCAPES MEEET MUSEUM PARK ROTTERDAM LIGHT CONCRETE THE WOOD WAY - PROJECTS WITH STUDIO FREDRIK LIUND

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• Architecture
• Urbanism
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• Research
• Exhibitions
• Essays
• Series
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• Films
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FRAMING THE LANDSCAPE Fredrik Lund’s playful 2012 visors—wearable frames crafted from cardboard—resurface as prescient tools for spatial empathy; once worn in NTNU’s studio and Oslo’s landscapes, they transformed bodies into mobile apertures, merging architecture, performance, and critique; these early experiments, blending poetry, pedagogy, and ecology, now echo in Lund’s hybrid teaching and Some Houses, where built forms mirror terrain with tactile humility; in a world shaped by AI and climate urgency, Lund’s socioplastic ethos invites us to wear architecture, not as armor, but as dialogue. SPANISH BAR _________ BAR ESPAÑOL ***** CONTEXT AS READYMADE _________ UNSTABLE INSTALLATION SERIES The traditional Spanish bar, once a vibrant hub of community life, is fading into memory. These spaces, where neighbors gathered for a morning coffee or an evening caña, are giving way to generic cafes and themed eateries that lack the charm and authenticity of the old taverns. What was once the beating heart of local culture—a place for debate, laughter, and camaraderie—is now being replaced by polished, impersonal establishments. This shift reflects a broader transformation of urban landscapes, driven by gentrification and changing social habits. With each bar closure, an era ends. Chromatic Machines in a Prefab Factory Lilac and orange modules, once playful contrasts in prefab factories, return as tools for ecological transition—hosting air systems, rest pods, or EV hubs. Beyond aesthetics, they frame a socioplastic ethic: color as mediator between body, machine, and atmosphere. In a post-brand landscape, these forms persist—adaptive, affective, and quietly radical. The Duna-Dunaj Double Symposium Socioplastic Rituals and the Vernacular Readymade KINGDOM SERIES A small geometric removal in moss and leaves, almost invisible. The work resists monumentality, existing only as fragile alignment between body, ground and season. Quickly reclaimed by fungi and weather, it proposes subtraction as care, a solitary practice of listening to landscape and its transient, biotopic rhythms. LAPIEZA is an experimental art project founded by Anto Lloveras and Esther Lorenzo The Rhizomatic Vanguard of Relational Aesthetics * Decolonial Sequences and Temporal Ecologies in LAPIEZA's Experimental Praxis Stage Series *Double Sided* is a conceptual dance and film series by Anto Lloveras and Mateo Feijoo, exploring themes of duality and minimalism through real-time, two-channel performances. Each movement echoes the previous one but varies subtly, emphasizing the ephemeral nature of process-based art. Inspired by Beckett, 1960s American minimalism, Erwin Wurm’s sculptures, and Paul Preciado’s philosophy, the series uses minimal scenic elements and standardized wardrobe to focus purely on bodily presence and rhythm, creating an aesthetic of deliberate simplicity and raw expression. Chromatological Displacement and the Nomadism of the Object: An Analysis of Socioplastic Rupture * T A portable sculpture and positional fixator * Part of the UNSTABLE INSTALLATION SERIES (2014–2024), it has traveled across multiple locations, including Madrid, Mexico, Norway, Croatia, and Lagos. The briefcase transforms spaces into ephemeral artworks, blending urban mobility with conceptual art. In continuous use, it transcends conventional exhibition formats. Designing the Urban Grid of ARCO’05 This project, developed under the @TABLE unit, functioned as a temporary city that challenged the rigid structures of the traditional art fair. By utilizing industrial materials such as shipping containers, wooden battens, and DM boards, the design addressed the friction between global commerce and the need for human-centric social nodes. WALL RITUALS * THE LIGHT IN CÁDIZ Ephemeral Rituals and the Supernatural Wall * A Dialectic of Consumption and Sacred Space * The Light in Cádiz as FoodArt Synthesis Mineral Choreographies The Anatomy of a Rustic Wall * Organic Assemblies and the Harmony of Irregularity Twins on a Slope * Architecture as Gravitational Ethics * NORWAY Architecture, like skiing, requires balance, foresight and the ability to read the slope Ecocritical Mediations in the Duna Series The Sunflower Fields art residency in Bokros, Slovakia, part of the Supernatural Series, is an ongoing project that integrates nature and local culture. The residency, hosted by artist Yuri Dólan, provides a collaborative space for artists to engage with rural landscapes, working in a historical farm setting surrounded by sunflowers, cornfields, and the Danube River. The event includes installations, lectures, and performances, emphasizing relational and situational art. Central themes include temporality, nature, and context-based narratives, resulting in exhibitions and film productions. LAPIEZA * GALERÍA EXPERIMENTAL ARTÍCULO EL VIAJERO DIARIO ELPAÍS Unstable Light * Entangling the Social Fabric A transdisciplinary investigation where the body, the light, and the net converge into a single "Social Sculpture". Activated in the landscape of Provence, this work visualizes the invisible threads of collective memory and human rights. It is a process-based investigation into how shared materials can bridge cultural gaps and foster sustainable coexistence through a continuous state of mutation. URBANAS - Critical Urban Praxis URBANAS is an international urban research practice led by Paula Lloveras and Anto Lloveras, working between architecture, art, and critical spatial investigation. Their projects activate cities as analytical and experimental frameworks where design, narrative, and fieldwork intersect to examine infrastructures, bodies, and territorial transformations COSMOTIDIANO A "mutable collective habitat"—a temporary occupation that addresses the friction between institutional space and the raw vitality of collaborative practice. Doube Sided — Residence on an Island Double Sided operates as a diptych in motion—two parallel bodies, two lines of thought, approaching without collapsing. What emerges is a legible scenic language built from graphic syntagms, everyday objects, and subtle sonic fields that translate the affective texture of the ordinary. The project advances through serial actions. Each body composes its own sequence while remaining porous to the presence of the other. This dual focus—autonomy and resonance—structures a didactic system that is rhythmic, self-regulating, and experimental. Stability on one side; intelligibility in the fold. The scene becomes a testing ground where elements are distinguished, pruned, and reassembled without redundancy. informe "CASOENAC Colima, México Proyecto que se enmarca dentro de una colaboración académica y de investigación relacionada con la psicología ambiental y el urbanismo. Específicamente, proviene de un proyecto conjunto entre la Universidad Autónoma de Madrid (UAM) y la UNESCO, en el que participaron José Antonio Corraliza, psicólogo ambiental, y Anto Lloveras, arquitecto. El trabajo se centra en la evaluación y mejora del espacio público en Colima, México, con un enfoque en el bienestar de las personas mayores y la accesibilidad. El proyecto implicó trabajo de campo, reuniones con instituciones locales y recomendaciones de intervención en urbanismo y diseño inclusivo. La participación de la UAM resalta la conexión entre la investigación académica y las soluciones prácticas aplicadas a proyectos de desarrollo urbano​. re-(t)exHile IV Lagos Art and Architecture Biennial * Resistance in the Afterlife of Cloth Presented at the 4th Lagos Art and Architecture Biennial in February 2024, re-(t)exHile occupies the symbolic space of Tafawa Balewa Square, a former colonial racecourse turned civic arena, to address themes of sovereignty, displacement and material memory; curated by Folakunle Oshun and Kathryn Weir, the Biennial challenges conventional exhibition models, favouring open-ended and collaborative formats where artworks act as generative gestures rather than final forms, and in this context, re-(t)exHile materialises as a relational installation composed of discarded textiles, ephemeral structures and found materials that trace the movement of global waste across African territories; created by Martinka Bobrikova, Óscar De Carmen, Adebola Badmus, María Alejandra Gatti and Anto Lloveras, the work is informed by prior field research, a photographic archive by Mide King, and digital storytelling, forming a living document that explores refuge, exile and repair through the lens of textile circulation and environmental violence; more than a static piece, it acts as a critical fabric, stitching together postcolonial narratives and the overlooked economies of secondhand clothing in Lagos. Cuerpos Filmados: 10 Years of Active Socioplastics. A decade-long meta-film archive- Dive into the rhizomatic archive of Cuerpos Filmados. This ten-year longitudinal study (2008–2018) captures the intersection of architecture, epistemology, and art. A transdisciplinary laboratory of filmed agency, documenting the collective survival of the urban subject across Madrid, Mexico DF, and beyond. RESTORAN SPLENDID ___ SOCIOPLASTICS BY LLOVERAS - WITH ::::: BRIGITTE BRAND, KOSIA, RUDI BENETIK, ME Restoran Splendid is a site-specific socioplastic installation by Anto Lloveras that redefines traditional hierarchies in visual representation. The concept centers around the idea of equality and shared presence, where each artist in the Rabbit Island residence occupies every position within a series of eight photographs. By rotating the artists through identical settings, Lloveras eliminates the notion of a fixed protagonist, ensuring that every individual takes a turn at the forefront and the background. This structured repetition blurs distinctions between subject and context, producing a visual and social equilibrium where all participants are equally highlighted and obscured. The effect is a looped, democratic tableau that resists singular narratives, celebrating the fluidity and interdependence of each contributor’s role. This approach, termed socioplastics, engages the viewer in a contemplation of communal presence, challenging the typical focus on individual prominence in art. The Experience of the City: Public Space, Nature and the Right to Urban Meaning This course examines the configuration and crisis of urban public space from multiple perspectives —architecture, psychology, ecology— emphasising nature as a structural and symbolic component of urban life. THE LIGHT IN PROVENCE On form, color and affection - situational performance - PAN 009 LAPIEZA ART SERIES 2010 Crushed Memories and Toxic Affections *The Relational Ecology of SERIE PAN * Decolonial Sequences and the Sociology of Superjunk RED LINE PORTABLE SCULPTURE SERIES The Rhizomatic Vanguard * Relational Synthesis of LAPIEZA An analytical critique of LAPIEZA, exploring its digital network integration, relational aesthetics, and the mutative avant-garde. House and Dome: Minimal Architecture as Conversational Sculpture Belonging to the Minimal Architecture Series, exemplifies an aesthetic of radical simplicity, where the structure is reduced to the most elemental gestures: lines of bamboo and threads barely outlining the memory of a shelter. What emerges is not a model of construction but a diagram of inhabitation, a fragile articulation between geometry and void. Its architectural vocabulary resists solidity; instead, it thrives on instability, exposing the precariousness of all spatial definitions. Presented within the context of the Unstable Installation Series at Zuccato Gallery in Poreč, Croatia, and in dialogue with Danino Bozic under the curatorial direction of Jerica Ziherl, the work functions as both installation and conversation. Here, architecture becomes performance, a medium for negotiation and encounter rather than permanence. HUMAN RIGHTS AND CULTURE CONGRESS ___________________ POSTORY :::::::: Gentrification, Turistization Socioplastics, as articulated by Antonio Lloveras Caminos, serves as an evolving concept that aligns artistic practice with cultural ecology and transformation. In a world grappling with urgent socio-political, economic, and cultural challenges, socioplastics emerges as a framework for fostering creative engagement in the face of these crises. It embodies the intersection of relational art and the dynamics of cultural environments, proposing artistic interventions as tools to reshape collective consciousness and reclaim public spaces Broth Broth Ritual (2020) is a journey through the primordial fluid from which we emerge, where floating particles and incandescent light evoke the energy of creation and the origins of matter. LEGAL About Privacy Policy Cookies Policy Legal Disclaimer (Terms of Service) Contact Information H I T S 772,372

MUDAS - Mexico City The MUDAS installations consist of a single fresh banana leaf pinned to the wall, which gradually dries out, changing color and releasing a distinct aroma that fills the space. This process is inherently social as visitors are photographed interacting with the piece, creating a participatory experience. The artwork connects to local culture, using the same banana leaves traditionally employed in making tamales, adding a layer of contextual significance. As the leaf transforms over time, it symbolizes change and ephemeral beauty, blending installation art with a tactile, sensory engagement rooted in local customs. Small Orange Tag * Sculpture Translational Tactics for a Weightless Aesthetic MEAT — Unstable Installation Series PAN DE NEVE Pan de Neve proposes a scene-as-score structure rooted in minimalism, animism and real-time improvisation, drawing from the prior project Sons-Nús – Catro Nubes but expanding its scope through a refined sensorial dramaturgy, the performance unfolds across ten sound fragments—or places—activated by five bodies on stage From Physical Lots to Hyperlinked Clouds Socioplastic Frames and Relational Semionautics (2011–2015) VENUS The Phenomenology of the Generic Skin BACK IN PROVENCE * CORRENS 2019 The Relational Topography of Provence: Hegelian Synthesis in the Socioplastics of Anto Lloveras * A Dialectic of Landscape and Body RECREO SPACESHIP __MOVEMENTS FOR AN UNSTABLE SYMPHONIC RITUAL - SERIES 118 - 1389-1397 SERIES 117 - Recreo Art Space is a dynamic 100 m² venue for interdisciplinary projects blending art, performance, and spatial exploration. “Movements for an Unstable Symphonic Ritual” series navigates themes of fluidity, ritual, and transformation. The evolving installations—spanning several series—invite collaboration and spontaneous creation, bridging the gap between artistic experimentation and shared space. Microscale Green Infrastructures as Everyday Therapeutic Landscapes: The Restorative Potential of Sm Small urban green spaces in central Madrid offer restorative benefits closely linked to vegetation, safety, and time spent on-site. Using psychometric scales, the study finds that these areas promote mental restoration, especially when designed to support social interaction and environmental quality. The results underscore the importance of integrating green micro-infrastructures into dense urban settings as part of public health and urban planning strategies. Landart Fjord Museum * Architecture as Land Art * The Museum as Ecological Interface Designed to merge with the forested fjordscape of Hardanger, Norway, the Landart Museum presents a refined example of low-impact architectural integration, combining energy efficiency, material responsibility, and experiential depth. The building minimises energy consumption across all systems through passive design strategies: its structure, primarily raised on pillars, reduces land occupation and environmental disruption while promoting air circulation and visual permeability. Constructed with locally sourced timber, it echoes regional construction traditions and reduces embodied energy. What Is The Word * The Architecture of Affection and the Monochromatic Satellite Beyond the gallery fetish, the Light Social Sculpture Series redefines the art object as a "situational fixer." A nomadic intersection of Beckettian inquiry and chromatic intervention, these works transform the urban trajectory into a living archive of memory, affection, and radical presence. HIDDEN FORCES The “Hidden Forces” project is a conceptual land art series set in the dunes of Cádiz. It transforms graffiti-covered concrete into minimalist art using solid black rectangles, drawing on Suprematism’s geometric aesthetics. The intervention contrasts the organic dune forms and the stark black shape, symbolizing the tension between human impact and nature. As the winds and sands shift, these markings will inevitably fade, emphasizing the impermanence and invisibility of human presence. This ephemeral act becomes a dialogue between concealment and revelation in the landscape’s context. SKOGFINSK MUSEUM The Norsk Skogfinsk Museum in Svullrya, Norway, integrates architecture with the forest landscape, reflecting the heritage of the local Forest-Finnish community. The design, called "Opening in the Forest," emphasizes sustainability with passive building strategies, natural materials, and renewable energy. The spatial layout includes public exhibition areas, a library, and a café, seamlessly connecting interior and exterior spaces, creating a respectful blend of culture, architecture, and nature. Portable Memory and Ritual Affection The blanket, featured persistently across the Unstable Installation Series (2020–2024), operates not as an object but as a device of affect, circulation and performative presence. Stripped of its domestic singularity, it reappears across geographies—draped on chairs, hanging from walls, wrapped around bodies in winter landscapes or layered over furniture in modest interiors—accumulating narrative tension through repetition. This continuous activation resists aesthetic fixity, privileging gesture over monument, use over preservation. The blanket becomes a surface of interaction where time, bodies and context inscribe meaning, generating a fluid archive rooted in relational encounters and situated rituals. Threads of Meaning * The Emotional, Political, and Healing Power of Contemporary Textile Art The international panel at the Guimarães Biennial 2024, curated by Lala de Dios, explored the evolving role of contemporary textile art in addressing personal, political, and healing themes. Artists showcased how textiles transcend their traditional functions, becoming powerful tools for emotional expression, activism, and storytelling. Projects like Re-(t)exHile emphasized sustainability, while works by Barbara Long and Meghan Price highlighted intimate narratives. EASY RIDER Inspired by the free-spirited ethos of motorcycling culture, the building is conceived as a "street garage" — an infrastructure that integrates private living with communal systems of mobility and recreation. The architectural layout takes on a dynamic zig-zag form, optimising solar exposure and allowing for efficient spatial sequencing across floors. Plans include shared patios and multi-functional rooftop terraces, enhancing community interaction. The ground floor and vertical core are configured as shared circulatory spaces that mimic urban streets, painted in bold graphic lines to simulate roadways, further blurring the boundaries between public and private space. Qualitätskontrolle III: A Synesthetic Installation FIT 2021 CÁDIZ Qualitätskontrolle III transformed the former tobacco warehouses of Cádiz into a synaesthetic installation where film, choreography, sound and architecture merged into a single organism. Rather than staging a theatre piece, the work unfolded as a process of composition in situ: a haute cuisine dish “served warm,” without script or fixed narrative. Each participant—dancers, musicians, technicians, even the audience—functioned as ingredients of a collective recipe. The scenography was built from sacks of coarse salt, blankets, scaffolding, banners and cables, combined with the colossal emptiness of the nave itself. Two large suspended screens projected a film that mirrored the live action, binding reality and representation in a continuous feedback. BLUE BAGS ::::::::::: UNSTABLE SOCIAL SCULPTURE - TRANSLATORIAL 2014-2019 SITUATIONAL FIXER The Blue Bags embody the concept of the Unstable Social Sculpture, where the most basic elements — a simple plastic bag — become the most complex. These bags operate in duality: as art and as functional objects, their role shifting depending on context. They function as Translatorial pieces, transforming environments through minimal yet intentional placement. Acting as Situational Fixers, they adapt to and highlight the uniqueness of each setting, questioning the boundaries of art, utility, and visibility, thus becoming symbols of impermanence and fluidity in conceptual art. LIGHT CONCRETE SCULPTURE BLITZ BETON WORKSHOP ______ ROTTERDAM MUSEUM PARK NATURE BOY SUPERNATURAL - SERIES 2023 - TWIN FILM INSTALLATION Cultures, Representations, and the Cultural Study of Science Science and Culture Studies was a research network based in the Madrid Region focused on the intersection of cultures, representations, spaces, and practices. It provides a shared platform for reflection, research, and education, positioning science as a core element of cultural interest. The network supports the study of public knowledge spaces—political, artistic, economic—and promotes scientific knowledge dissemination within cultural contexts. CREP fosters collaborative research and training initiatives across diverse groups. Activities include seminars, exhibitions, courses, and symposia, such as the 2011 Strategic Seminar featuring Daniel Martín Bayón and Kira O’Reilly, hosted by LaPieza. CADÁVER EXQUISITO___2020 ACCIÓN MUSEOGRÁFICA ESPACIO CRUCE The performance "Cadaver Exquisito" took place at Cruce, Doctor Fourquet 5, on October 31, 2020. It was a collective action where each participant played a role: one threw, another dissected, another narrated, another carried with care, and another prepared a ritual. The form of the "corpse" was influenced by various elements—mass quality, spatial tangency, conversational dynamics, body temperatures, and interest in dissolution. The "Exquisite Corpse" is a method of collective creation, originally from literature, where each participant adds to the work without knowing the previous contributions, resulting in an unpredictable and emergent final composition. The KIWI * Camarote Experience * Post Industrial Domesticity and Relational Epistemologies Camarote (2003–2008) is a transformation of a Madrid workshop into a living-thinking art lab that fuses architecture, theory, and domesticity. LEMON KISS - UNSTABLE INSTALLATION SOLO SHOW AT PULA CROATIA / NEVER SOLO / 100 ARTIST AT DISPLAY 2014 ART MEETS FASHION * SETS AND CLIPS 2011 MADRID LAPIEZA Art Meets Fashion is a hybrid visual project where ephemeral garments, sculptural fashion and urban scenography converge. Part of LAPIEZA’s Unstable Installation Series, it reimagines the body as a mobile platform for site-responsive installations. Shot in Madrid in 2011, the project offers looped clips and striking imagery where models interact with precarious materials and symbolic props. The result is a poetic critique of aesthetic systems, consumption, and identity, framed under the concept of Socioplastics. OPEN AIR GALLERY / NORWAY COLLABORATION WITH FREDRIK LUND / PAULA LLOVERAS - Nordic Landscape and Dialogues of Wood and Site FAST HEARTBEAT * NORWEGIAN FJORD * IN ICE COLD WATER The nocturnal dimension intensifies the work’s ontological stakes. Darkness erases orientation, transforming the fjord into an abstract void where perception falters. This withdrawal of visual certainty foregrounds proprioception and fear as primary materials. YELLOW BAG - UNSTABLE INSTALLATION SERIES - SITUATIONAL FIXER 2014-2024 The Yellow Bag is an active object in Anto Lloveras’s work, functioning as both carrier and witness within performances, installations and walks across Europe, Africa and Latin America its symbolic presence gathers meaning through its travels, from the streets of Madrid to the beaches of Mexico, where it collects, connects and transforms materials and memories into ephemeral art it acts as a situational fixer, adapting to place and gesture while retaining its identity as a living artwork EL DORADO * Socioplastic Sculpture (Madrid, 2013) AFFECTION IS FUEL The Twenty-Gram Monument * Sculpting Shared Proximity HUSØY ARENA //// SOCIAL CLUB /// NORWAY / 2012 * WITH FREDRIK LUND / PAULA LLOVERAS Husøy Arena * From Playing Field to Civic Surface

TRIENAL ***** I-II-III-IV-V ***** SERIES URBANAS * TRANSURBANISM (PHOTOGRAPHY) ICONIC BUILDING NEXT TO TRAIN TRACKS __ 24 ATELIER UNITS. MADRID M-40 The Trole Building, designed by Anto Lloveras and Alberto Sánchez Cabezudo, is an iconic structure located in the south of Madrid. Initially an old coffee factory, it was transformed into a modern office space with a striking facade of white zinc panels. The design emphasized creating a contemporary aesthetic in contrast to the surrounding brick buildings. The project required complex planning and adjustments to comply with local regulations, including fire safety measures. The building’s minimalist exterior and clean lines make it a standout in its industrial context. Red Bag * Relational Infrastructure Exploring social practice, relational aesthetics, and urban interventionism. NTNU CITY CAMPUS 2050 * INTERNATIONAL URBAN DESIGN COMPETITION BY URBANAS Proposal by Urbanas for the international design competition imagines a fjord-connected, compact, and sustainable campus. A visionary blueprint blending architecture, ecology, and pedagogy. I International Congress of Ecological Humanities Universidad Autónoma de Madrid — May 22–24, 2023 The Trans-Lighthouse Manifesto * Ecological Humanities and the "Fifth City" YOUTBE BREAKFAST * http://youtubebreakfast.blogspot.com YouTube Breakfast: Rhizomatic Pedagogy and the Decentralized Classroom * Disruption as Methodology in the Socioplastic Network PURPLE LEGS * MONOCHROME SELF SCULPTURE SERIES - LONDON PROVENCE - COLLECTION PAULA LUND Purple Legs as Urban Taxidermy and Instant Sculpture The Semiotics of the Cloud: * Active Socioplastics in the Frozen Heat Series The Architecture of the Invisible * Active Socioplastics and the Digital Satellite in the LLLL Light Social Sculpture Series Bordados Sisters * The Sonic Legacy of El Intruso SOUND IS KEY CAPA * Hegemonic Dissolution through Synthetic Cognitive Morphologies CAPA is a transdisciplinary platform rooted in agonistic theory, where philosophers, theorists, and artists co-develop micro-essays, graphic concepts, and rhizomatic dialogues. Emerging from LAPIEZA, it fosters asymmetric, non-linear conversations guided by thinkers like Foucault, Deleuze, Bourdieu and others, generating a cloud-based archive (BRAIN) of synthetic ideas. Each concept (CAPA 001–999) blends epistemology, visual language, and symbolic capital, creating a replicable, open-source model for intellectual cross-pollination and narrative experimentation. Everything Changes in This Place in Malasaña Imagine a place where installations undergo constant changes, where every artistic work, exhibition, or performance leaves its mark. LAPIEZA embodies this concept. It is a container and a platform for “relational art.” LAPIEZA is a collective work, with periodic performances called “mutations.” Every week, an artist contributes a recently executed piece, which is created live. The audience can witness the realization of the artwork in real time and interact with the environment. THEWOODWAY Norway with Fredrik Lund @ NTNU Video series documenting a pedagogical architecture experiment in Norway (NTNU, 2008), reveals the power of collaborative construction as both educational strategy and spatial research. The project involved eighty first-year architecture students building a one-to-one wooden superstructure, generating eighteen distinct spatial concepts under the guidance of faculty and professionals. Filmed and edited as short episodic reflections, the series frames architecture not as static output but as a processual practice, grounded in participation, negotiation, and continuous interpretation. The Digital Prosumer and the Archive of the Connected Subject * YouTube Breakfast as an Epistemic L Already in 2009, Anto Lloveras presented YouTube Breakfast at a doctoral seminar at UAM, focusing on how the accumulation of video content online is a form of collective intelligence. The workshop highlighted that historical film archives, videography, and recorded conferences, once accessible only in museums, are now part of a digital “new school” accessible to everyone on platforms like YouTube. This session emphasized the need to engage with this vast digital knowledge as a form of public memory and evolving cultural practice. Teaching as a Critical Dissemination Tool The NTNU Architecture Masters Series (2019) represents a pivotal intersection where academic instruc EL PALMERAL * Sustainable Neighbourhood Manifesto (Lloveras & Lloveras * Urbanas, 2017) El Palmeral received an honourable mention in the 2017 COAM Urbanas competition under the theme Manzana Verde – Sustainable Neighbourhood in Málaga. Designed by Paula Lloveras Caminos and Antonio Lloveras Caminos, the project envisions a dense, walkable, mixed-use neighbourhood anchored in environmental responsibility, historical continuity, and social cohesion. At its core, El Palmeral proposes a city that requires no fossil fuels, based on efficient land use, compact housing typologies, and a focus on green infrastructure and low-carbon construction. The urban layout integrates 11 tower buildings (up to 18 floors) surrounded by low-rise housing, urban gardens, shaded boulevards, and collective open spaces, fostering both environmental performance and community life. Presented at the Urban Center at Morlaco in Málaga and published in Revista Arquitectura COAM 373 Manifiesto, the project stresses the value of traditional urbanism, historical street networks, and adaptable public-private interfaces. Its diagrams explore emissions reduction, building typologies, and flexible modularity, advocating for a city model that is sustainable, inclusive, and resilient. SNAKE Redefining Small-Lot Living at Calle Gravina in MADRID LACALLE * A Right-to-the-City Device 2010-2026 A performative-urban project emerging from an urgent artistic and political intuition: to return poetic action to the street as a form of civic presence, affective protest, and spatial listening. Rooted in the collaborative matrix of Maite Dono (voice), Hectruso (MiniRoc system) and El Intruso (live sound), LACALLE unfolds as a series of mobile performances across different Spanish cities—Ferrol, Madrid, Gijón, Sevilla, Almería—where the act of walking, sounding, and speaking becomes a situated reappropriation of public space. The MiniRoc, a wearable sound apparatus carried like a backpack, is more than a tool—it's an expressive prosthesis that turns the performer into a walking amplifier, a poetic antenna. Each episode—filmed and archived by Tomoto—transforms overlooked urban environments into sites of encounter and disruption: from whispering to a market wall to amplifying voice in a salt mine or a decaying square, these gestures are minimal yet deeply charged, forming a poetics of the infrastructural. BLUE PANTS The repeated motif of the blue trousers—sometimes worn, sometimes arranged on the sand, sometimes painted into a landscape—anchors a body that is both present and absent, material and spectral. The garment becomes a stand-in, a proxy through which identity is negotiated in unstable contexts, shifting from performance to installation, from drawing to landscape action. SUPERNOVA BORDADOS SISTER * EL INTRUSO 2024 360 º TV SET Television set for Disney Channel, designed by TABLE and published in the Official College of Architects of Madrid (COAM) magazine. The 15 x 15 meter set was conceived as a playful and versatile space for 360-degree filming. The design emphasizes creating a flexible environment to accommodate various television activities within the same set. TAXIDERMY III RIGO GALLERY CROATIA 2017 Taxidermy as Installation involves the cutting and rearrangement of objects to create a fragmented but cohesive visual language. By dissecting materials like fabric, leather, or even furniture, each piece transforms into an abstract composition, exploring themes of absence, presence, and reconstruction. Minor Letter e * From Industrial Ruin to Socioplastic Memory * LAPIEZA 001e LAPIEZA ART SERIES 001 A compact visual reflection on how a typographic sign—specifically the letter “e”—can embody both fracture and memory. Through domestic spaces, studio walls, scorched ruins, and gestures, the video tracks the symbolic collapse and persistence of cultural remnants. The letter is more than a glyph; it becomes a witness, carried, broken, and recontextualized across time and space. The visuals move from warmth to desolation without explanation, embracing discontinuity as a form of narrative. This approach foregrounds the poetic in the fragment, where meaning isn’t stated but sensed. By refusing clarity, the work invites us to dwell in the gaps between object, body, and ruin, rendering the typographic symbol as a relic of both language and loss. A mound of rubble sits behind the glass (Lloveras, 2025) Occupying the gallery * LAPIEZA VELÁZQUEZ 100 SITUATION ___ PLANCTON * Situación Velázquez 100 * The Architecture of Compression Conceptual art action centered on temporal and situational art practices, where artists intervene in a defined space for three hours. The project critiques the traditional boundaries between the artist, artwork, and audience, emphasizing collaborative creation and the transformation of personal artistic narratives into a collective memory. A renovation involved the complete removal of all partitions * CJCM MADRID The workstations were separated by sheet metal shelving units that served both sides. The design featured wooden floors and exposed electrical systems, resulting in an affordable yet elegant transformation. UNSTABLE LOVE SERIES *PHOTO FILM NARRATIVE INSTALLATION CONCEPT Unstable Love and the Physics of Affection * Photography’s Duration Versus Video’s Collapse * ULS 1000 Urban Punch Love Agonistic Urbanism and the Anthropomorphic Interface * The Radical Affectivity of Urban Punch Love * Relational Ethics in the Post-Municipal Public Sphere Colador Shelf in Camarote Geometric Synthesis * Spatial Reconfiguration FRESH TEXT Taxidermy * LONDON * Incisions into Urban Flesh Anto Lloveras’s Taxidermy: The City Is an Animal (5th Base Gallery, East London, 2015) stages the metropolis as a sentient, wounded organis... Fireworks as Hyperplastic Writing * Socioplastics, Archive, and the Self-Representing Form Fuegos | Fireworks constitutes one of Anto Lloveras’s most conceptually saturated projects, articulating drawing as a hyperplastic system i... 4x4 Mixed-Uses, conceived as a piece of "green urbanism" and hybrid architecture, represents a critical response to the need for sustainable and efficient urban infrastructures. Through an analysis of the technical panels and the theoretical proposal, this intervention can be examined through the lens of social sculp... A MATERIALIZATION OF EXPANSIVE THOUGHT and THE MESH TAIL The deployment is absolutely staggering . The expansive idea isn't just understood; it's directly experienced through the rhythmic,... Brick, Void, and Power – Emerging Architectures of Infrastructure in Contemporary Africa A new architectural vernacular is rising across the African continent, one that neither replicates colonial tropes nor mimics globalised ae... 021-MESH-SITE ARCHITECTURAL SUMMARY * EXTENDED SYSTEMIC COMPONENTS MESH (001–030): The operational logic governing the network, ranging from the Epistemic Frame to Metabolic Chemotaxis.  ... RED BAG * Relational Infrastructure Red Bag articulates a quietly radical proposition: that an ordinary object, persistently mobilised, can operate as a sculptural and conceptu... The Trans-Lighthouse Manifesto * Ecological Humanities The Trans Lighthouse Manifesto emerges as a speculative yet operational text situated at the intersection of ecological humanities, critica... The Socioplastic Network as Epistemic Architecture * From Linear Amnesia to the Living Archive   Contemporary digital culture is increasingly characterised by what might be termed linear amnesia : a regime of production in which texts... FLIPAS! as Moving Archive * Urban Gestures FLIPAS! emerges as a paradigmatic case of contemporary live-art research in which urban space, performative body and audiovisual mediation a... TAXIDERMY I _________________LONDON 2015 THE CITY IS AN ANIMAL THERMODINAMIC ESSAYS ^* FALL 2018________STONE FIRE WATER_____NEGRADAS Fire, Stone, and Ocean as Durational Praxis NETWORK URBANAS LAPIEZA ART SERIES YOUTUBE BREAKFAST TWINS

SYSTEM ARCHITECT

• 
  SOCIOPLASTICS

LAPIEZA is a decolonial exhibition sequence curated by Anto Lloveras

180 series in 15 years

This sustained rhythm shapes each series as a research unit and a portable exhibition format, where artworks, conversations, and contexts converge into a temporary public. Time operates as material, and curating functions as writing across duration. The accumulation of series generates continuity, attention, and a growing ecology of relations.

HELLO

ART SERIES 179 BANCAL ART SERIES 150 LAGOS 2024 ARRT AND ARCHITECTURE BIENNIAL BRANDS Exit, Bazar, Mosca, Kiwi, Socioplastics, Sales, Fire, Ball, Pan, Fastforward, Supermarket, Playtime, Masa, Pulpa, Samba, Deriva, Desierto, Family, Océano, Galaxia, Bonus, Trip, Naturalism, Power, Hole, Deshielo, Miseria, Glam, Glow, Empty, Unstable, Motion, Geometry, Progression, Traca, Ganga, Radical, Frame, Cloud, Phantom, Snow, Translation, Mud, Babylon, Fugaz, Glitter, Cocktail, Party, Cosmotidiano, Sed, Bullet, Vulcano, Deseo, System, Expansivo, Neta, Kiss, Nowhere, Antorcha, Goma, Ensayos Posicionales, Structural Conversations, Fresh Museum, Sugar Sunset, Naked Eye, Aerial Roots, Bank Account, Thick Smoke, Zero Zero, Butter Factory, Sweet Corn Brutalism, Periodical Incisions and Dissections, Exfoliation, Wild Flowers, The Word, Melaza, Pompa 1011, Idiom, Ready, Concept, Suck, Palmtree, Ficus, Wisteria, Lips, Artnations, Flock, The Light in Athens 3X, Recre0, The Road to Restoration, Basal, Solitude, Unstable Love Series, Grey, Deep Sleep, La Mar, Sorrow, Relieve, Rero Pop, Retro Expresionism, Voyage Voyage, Loop, Radiance, Tar, Nature Boy, Prime Factor 3X, The Light in Cádiz, Re-(T)exHile, Resilent Visions, Tra(d)iciones, Liminality, IAPS Barcelona, Textile Talks, TP7 Lugo Territorios Pastoreados, Copos, Meesters, Lost Rocks, Confetti, La Luz en Cádiz, Psicamb, Merci, Beaucoup, Parlons Cinema, San Roque, Class Act, Brasil, Miñoca, Hortus, Cuentos, Inverno de Pedra, Estrugas e Fentos, Turtle Visions, Trapecio, Nigonho, Sverige, Bancal, Summer I, Summer II, Ego Trips, Cádiz La Luz, Copos, Lumbar Pressure 155 IAPS BARCELONA READ MY LIPS ART SERIES 085 ART SERIES 151 RESILENT VISIONS GREY ART SERIES 131 + 132 3X3X3X3X3 ARTNATION 243+ 2020 ///////// FLOCK 1101 1102 1103 1104 1105 1106 1107 1108 1109 1110 1111 1112 1113 1114 1115 1116 1117 1118 1119 1120 1121 1122 1123 1124 1125 1126 1127 1128 1129 1130 1131 1132 1133 1134 1135 1136 1137 1138 1139 1140 1141 1142 1143 1144 1145 1146 1147 1148 1149 1150 1151 1152 1153 1154 1155 1156 1157 1158 1159 1160 1161 1162 1163 1164 1165 1166 1167 1168 1169 1170 1171 1172 1173 1174 1175 1176 1177 1178 1179 1180 1181 1182 1183 1184 1185 1186 1187 1188 1189 1190 1191 1192 1193 1194 1195 1196 1197 1198 1199 1200 1201 1202 1203 1204 1205 1206 1207 1208 1209 1210 1211 1212 1213 1214 1215 1216 1217 1218 1219 1220 1221 1222 1223 1224 1225 1226 1227 1228 1229 1230 1231 1232 1233 1234 1235 1236 1237 1238 1239 1240 1241 1242 1243 1244 1245 1246 1247 1248 1249 1250 1251 1252 1253 1254 1255 1256 1257 1258 1259 1260 1261 1262 1263 1264 1265 1266 1267 1268 1269 1270 1271 1272 1273 1274 1275 1276 1277 1278 1279 1280 1281 1282 1283 1284 1285 1286 1287 1288 1289 1290 1291 1292 1293 1294 1295 1296 1297 1298 1299 1300 1301 1302 1303 1304 1305 1306 1307 1308 1309 1310 1311 1312 1313 1314 1315 1316 1317 1318 1319 1320 1321 1322 1323 1324 1325 1326 1327 1328 1329 1330 1331 1332 1333 1334 1335 1336 1337 1338 1339 1340 1341 1342 1343 LAPIEZA 801____1000 ! 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 929 930 932 933 934 935 936 938 940 942 944 946 947 948 950 952 953 954 955 956 957 961 962 963 964 965 966 969 971 975 976 977 981 987 990 993 997 999 FRESH MUSEUM ART SERIES #63 SERIES 69 153 154 LIMINALITY THICK SMOKE ARTSPACE 2020-2021 NOW R E C R E O LA MAR SUPERNATURAL SERIES 134 SERIES 62 / FRESH MUSEUM / 2015 ART SERIES 163 PSICAMB 2025 ARTISTS | 2009-2016 TOMOTO (278) MARISA CAMINOS (202) PAULA LLOVERAS (176) MARÍA ENRÍQUEZ (89) PAUL DOEMAN (82) KRAPOOLA (71) HECTRUSO (68) FEDERICO GÓMEZ (65) MANUEL MAQUEDA (62) TOÑO CAMUÑAS (60) REGINA FIZ (59) SEBAS BEYRO (58) FREDRIK LUND (55) SINQUENZA (53) CLAUDE CHUZEL (49) YREALYDAD (49) EDUARDO CAJAL (42) JUAN BARTE (42) POL PARRHESIA (42) THOMASSIN (41) YAN NAZCA (37) JONAY PMATOS (35) JAVIER PÉREZ ARANDA (32) LIMBER VILORIO (31) ROBERTO EQUISOAIN (31) LUCIA C PINO (30) FRANCISCO MATEOS (25) LUIS GARCÍA GIL (24) MONOPERRO (24) RUBÉN BONET (22) GIUSEPPE ZAMORA (21) AXEL DI CHIAPPARI (20) OMAR JEREZ (20) HOMBRE_U (18) MIGUEL GUZMAN (18) ANAMUSMA (17) LUIS PADREDA (17) ANA MATEY (15) CARLOS LLAVATA (15) JESÚS ANDRÉS (15) RAFAFANS (15) JESÚS LEÓN (14) MAITE DONO (14) ANDRÉS MONTES (13) ELISE PLAIN (12) LUJÁN MARCOS (12) TOMOHARU PEÑA (12) DANINO BOZIC (11) YAKY BONACIC-DORIC (11) ALFONSINA RAMÍREZ (10) HEATHER PASSMORE (10) PABLO ESPLÁ (10) RUBEN LORENZO (10) ÁNGELES CASTRO (10) SABINE FELDEN (9) ALFONSO GARCÍA DEL REY (8) HO WAI FONG (7) LUIS FORES (7) SUSAN CAMPOS (7) ALFRED ZORRITA (6) ANGELA LEÓN (6) ESTHER REVUELTA (6) FRANÇOISE ROHMER (6) LÍNEAS ALBIÉS (6) MAITE CAJARAVILLE (6) MARTINKA BOBRIKOVA (6) TAKA FERNÁNDEZ (6) ANGELA MONGE (5) CLARA LEÓN (5) EDUARDO CORRALES (5) GEMA SEGURA (5) KJELL VARVIN (5) MIRALDA (5) OSCAR DE CARMEN (5) PEPE PUJOL (5) PLANCTON (5) VIC SNAKE (5) ALEXANDER RÍOS (4) ANA PESCLÁN (4) CARLOS MÍNGUEZ (4) EHRIOR SANABRIA (4) EMILIEN GIREAU (4) FUKE P (4) GORO SHIMANO (4) JD LEFELMAN (4) JEFFREY HARRIS (4) JUAN CALVI (4) KHOSRO KHOSRAVI (4) MARIO GUTIÉRREZ CRU (4) PONTUS KYANDER (4) ROCÍO CAÑERO (4) ANA GONZÁLEZ (3) BALDO MARTÍNEZ (3) CHRISTOPHER KLINE (3) GANDOOLA (3) JUAN GARCÍA PERROTE (3) LEFT HAND ROTATION (3) MARIO SARRAMIÁN (3) MARÍA NIEVES (3) PABLO MARTÍN COBLE (3) PABLO PADILLA (3) PILAR GONZÁLEZ ESPAÑA (3) POR FAVOR (3) RAMON SANMIQUEL (3) SERGIO FERNÁNDEZ (3) SHAHPARI BEHZADI (3) SHIRAZ RANDERÍA (3) TEREZA ERBENOVÁ (3) VICTOR TRONIC (3) VÍCTOR PALOMO (3) YANIRA (3) ABEL AZCONA (2) ALKISTIS ATHANASIADOU (2) BLUUSA BLUU (2) CASS (2) GERARDO R VELARDE (2) GREGORIO APESTEGUÍA (2) JOHN MURPHY (2) MANUEL MONTESERÍN (2) MARIO LA ROSARIO (2) MARTÍN GUERRERO (2) MAURI CELESTE (2) MENINAS CARTONERAS (2) MERILU (2) MILJENKA SEPIC (2) NIKÉ NAGY (2) NIÑA JONAS (2) RAFA MARCOS (2) RAQUEL MORENO (2) SAÚL MARTÍNEZ (2) STANO CERNY (2) SUSANA GO (2) TONY Z (2) UAFC (2) ALFREDO CÁLIZ (1) ANDREAS FORTES (1) ANN-CATHRIN HERTLING (1) BOSTANOVA (1) CHICASTUERCA (1) DAVE BULL (1) HELENA HOLMBERG (1) IBAN GONZALEZ (1) JOSECHU DÁVILA (1) JOSÉ SAINZ (1) JUAN CRECK (1) KENGURAVINCA (1) LUTZ RAINER MUELLER (1) MANOLO CALVO (1) MARKUS LANTTO (1) MATHIAS SAMUELSEN (1) MIZ METRO (1) NATALIA PÉREZ GALDÓS (1) ORQUESTA PRIMERA LUZ DEL DÍA (1) PABLO BERZAL (1) PATALETA (1) PER FORMO (1) SOFIE LUND (1) STIAN ADLANDSVIK (1) SYLVAIN CHERKAOUI (1) TANIA ARIAS (1) TIRSO ORIVE (1) TORHILD AUKAN (1) VAKTMESTER MANDAL (1) ØYVIND BRANDTSEGG (1) LAPIEZA | 001 > 200 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 197 198 199 200

SED SORROW ART SERIES 135 ARTISTS Marisa Caminos, Paula Lloveras, Tomoto, María Enríquez, Paul Doeman, Krapoola, Hectruso, Federico Gómez, Manuel Maqueda, Toño Camuñas, Regina Fiz, Sebas Beyro, Fredrik Lund, Sinquenza, Claude Chuzel, Yrealydad, Eduardo Cajal, Juan Barte, Pol Parrhesia, Thomassin, Yan Nazca, Jonay Pmatos, Javier Pérez Aranda, Limber Vilorio, Roberto Equisoain, Lucia C Pino, Francisco Mateos, Luis García Gil, Monoperro, Rubén Bonet, Giuseppe Zamora, Axel Di Chiappari, Omar Jerez, Hombre_u, Miguel Guzman, Anamusma, Luis Padreda, Ana Matey, Carlos Llavata, Jesús Andrés, Rafafans, Jesús León, Maite Dono, Andrés Montes, Elise Plain, Luján Marcos, Tomoharu Peña, Danino Bozic, Yaky Bonacic-Doric, Alfonsina Ramírez, Heather Passmore, Pablo Esplá, Ruben Lorenzo, Ángeles Castro, Sabine Felden, Alfonso García del Rey, Ho Wai Fong, Luis Fores, Susan Campos, Alfred Zorrita, Angela León, Esther Revuelta, Françoise Rohmer, Líneas Albiés, Maite Cajaraville, Martinka Bobrikova, Taka Fernández, Angela Monge, Clara León, Eduardo Corrales, Gema Segura, Kjell Varvin, Miralda, Oscar De Carmen, Pepe Pujol, Plancton, Vic Snake, Alexander Ríos, Ana Pesclán, Carlos Mínguez, Ehrior Sanabria, Emilien Gireau, Fuke P, Goro Shimano, Jd Lefelman, Jeffrey Harris, Juan Calvi, Khosro Khosravi, Mario Gutiérrez Cru, Pontus Kyander, Rocío Cañero, Ana González, Baldo Martínez, Christopher Kline, Gandoola, Juan García Perrote, Left Hand Rotation, Mario Sarramián, María Nieves, Pablo Martín Coble, Pablo Padilla, Pilar González España, Por Favor, Ramon Sanmiquel, Sergio Fernández, Shahpari Behzadi, Shiraz Randería, Tereza Erbenová, Victor Tronic, Víctor Palomo, Yanira, Abel Azcona, Alkistis Athanasiadou, Bluusa Bluu, Cass, Gerardo R Velarde, Gregorio Apesteguía, John Murphy, Manuel Monteserín, Mario La Rosario, Martín Guerrero, Mauri Celeste, Meninas Cartoneras, Merilu, Miljenka Sepic, Niké Nagy, Niña Jonas, Rafa Marcos, Raquel Moreno, Saúl Martínez, Stano Cerny, Susana Go, Tony Z, Uafc, Alfredo Cáliz, Andreas Fortes, Ann-Cathrin Hertling, Bostanova, Chicastuerca, Dave Bull, Helena Holmberg, Iban Gonzalez, Josechu Dávila, José Sainz, Juan Creck, Kenguravinca, Lutz Rainer Mueller, Manolo Calvo, Markus Lantto, Mathias Samuelsen, Miz Metro, Natalia Pérez Galdós, Orquesta Primera Luz del Día, Pablo Berzal, Pataleta, Per Formo, Sofie Lund, Stian Adlandsvik, Sylvain Cherkaoui, Tania Arias, Tirso Orive, Torhild Aukan, Vaktmester Mandal, Øyvind Brandtsegg LOST ROCKS ART SERIES 160 LAPIEZA1866 1901 MEESTERS ART SERIES 159 LAPIEZA 1636 1865 LAPIEZA #1500 ART SERIES #130 UNSTABLE LOVE SERIES ART SERIES 141 142 RADIANCE 2023 LA LUZ EN CÁDIZ 2023 2024 SOLITUDE SUMMER 2022 ARTNATIONS 1001 1100 BASAL PRIME FACTORS ART SERIES 146 147 148 WINTER 2023 LAPIEZA 001 TOMOTO 2009 LAPIEZA 601 > 800 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 637 639 640 641 643 644 645 646 647 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 READ THE CONCEPT 120 POSITIONAL ESSAYS / LAPIEZA SERIES # 61 - 2014 MEMORIA GRÁFICA Y TEXTUAL DE LA INSTALACIÓN RELACIONAL EXPANSIVA EXHIBITION #75 THE WORD /////////////////////// 1000 ////////////// EXHIBITION #74 WILD FLOWERS ::::::::::::::::::::::::::::: EXHIBTION #73 EXFOLIATION /////////////////////////7 EXHIBITION #72 ///////////////// INCISIONES Y DISECCIONES EXHIBITION # 71 SWEETCORN BRUTALISM ======================== ART SERIES #70:::::::::::::::::::::BUTTER FACTORY::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::MADRID NORWAY CÁDIZ MEXICO FRANCE CASTILLA BERLIN DOMINICANA CROATIA__________________________SPREAD::::::::::::::::::::::::::::::::::::::::::02.2015 # 69 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ZERO ZERO::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::2014 ------- OAXACA LONDON MEXICO CROATIA MADRID OSLO PARIS TRONDHEIM EL INTRUSO | BANDA SONORA - 2009 | 2014 #68 THICK SMOKE #67 BANK ACCOUNT _________ MEXICO MADRID LONDON CROATIA FRANCE LISBOA OSLO _______________GALAXY SYSTEM 11.2014 MAGAZINE #66 | AERIAL ROOTS | 10.2014 ____________BERLIN MADRID PROVENCE BARCELONA PARIS TRONDHEIM NOVIGRAD LIMA ____VISIBLE STRUCTURES:::: #65 | NAKED EYE #64 | SUGAR SUNSET ART SERIES #63 | FRESH MUSEUM | 08.2014 ++++++++++++++ PINK SMOKE ************************* #62 | STRUCTURAL CONVERSATIONS NORWAY | FROZEN HEAT SATELLITES | LLLL ART AGENCY ART SERIES #61 | ENSAYOS POSICIONALES | NADAMOS EN TODAS LAS DIRECCIONES - EL MAPA ES SENTIDO - MADRID 2014 ART SERIES #60 | GOMA - MADRID 2014 - DE LA ELASTICIDAD EMOCIONAL DIARIA Y LA ESCALA DEL DOLOR ART SERIES #59 | ANTORCHA - MADRID 2014 - DEL ESPLENDOR FLOTANTE Y EL REVELADO SÚBITO ART SERIES #58 | NOWHERE - MEXICO DF MADRID - PAISAJES DISPERSOS - 2013 ART SERIES #57 | KISS - MEXICO DF MADRID BERLIN PARIS 2013 ____________TRANSICIONES ORGÁNICAS ART SERIES #56 | NETA - MEXICO DF - DE LOS HERMOSOS ANIMALES URBANOS Y OTROS AFECTOS ART SERIES #55 | EXPANSIVO - MADRID MEXICO 2013 - BASE CONTINGENTE ART SERIES #54 | SYSTEM - MADRID MEXICO DF 2013 - DE SOMBRAS, ARTIFICIOS, PUÑALADAS Y AMANECERES RADIANTES UNSTABLE INSTALLATION SERIES___________SINFONÍA RELACIONAL EXPANSIVA______________________________________INSTALACIÓN INESTABLE Y DISPERSA_________________________________2009 2019 SOCIOPLÁSTICA ACTIVA Y VANGUARDIA | NUEVOS SENTIDOS ENTRE SIGNOS | ENTREVISTA EN FLUIDO ROSA > 2010 > 2011 > 2012 > 2013 CONTACT LAPIEZA 1000 LLOVERAS 2016 136 RELIEVE LAPIEZA | 201 > 400 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400

ART SERIES 173 STONE DREAM * March–April 2025 A quiet unfolding at the cusp of seasons — between winter’s weight and spring’s breath. No announcement, no spectacle. Just stones placed with care, lemons left in soft shadows, a salad eaten under open sky. This is relational minimalism: a choreography of presence, attention, and the unnoticed. Each act — a trace. Each object — a silent anchor. Photography, installations, vehicles, texts, rituals. A living archive of what rests and what vanishes. Art here doesn’t shout — it listens, hosts, remembers. Fifteen fragments. One rhythm. EXFOLIATION 73 COPOS ART SERIES 158 LAPIEZA 1824 1835 Threads of Meaning ______ The Emotional, Political, and Healing GUIMARAES BIENNIAL ART SERIES 162 LA LUZ EN CADIZ 152 TRA(D)ICIONES ART SERIES 161 CONFETTI 1902 1932 STATEMENTS AND NARRATIVES CRÍTICA LA NETA MEXICO ART SERIES 056 ART SERIES 139 SUMMER 2023 VOYAGE VOYAGE LOOP SUMMER 2023 La exploración de las formas de vida en común Usaremos toda la infraestructura que nos habilita esta red para generar los vínculos necesarios para generar una escultura social (Beuys, Zizek, Bourriaud, Russell). Tenemos la visión y la responsabilidad desde las prácticas relacionales (arte conceptual político) de incrementar la fuerza de los vínculos a través de las plataformas red, elevando los capitales simbólicos de valores humanistas en una sociedad cada vez más definida por los capitales mercancía derivados de los sistemas abstractos post-industriales. El vector que seguimos desde el 2009 (UNA DÉCADA) es una línea de trabajo e investigación que denominamos SOCIOPLÁSTICA ACTIVA. Una forma de trabajo que incluye no solo la selección y comisariado de los artistas y de su obra (textos e imágenes), sino la generación de relaciones visibles en exposiciones en red, donde la obra de los artistas trabaja de manera conjunta, en una forma híbrida entre las exposiciones de los museos (alta legitimación), las exposiciones en las galerías de arte (arte-mercancía; media legitimación) y la difusión masiva a través de redes sociales (formas emergentes) donde el valor de la obra se mide por su calidad directa, y por la redifusión masiva de los usuarios sin costes de instalación en sala. Las exposiciones de LAPIEZA han sido consumidas y difundidas por más de un millón de personas en red desde 2009. El marco y la obra se funden en un marco híbrido, que explora la calidad actual de las formas publicitarias no solo de los museos y las instituciones, sino las prácticas artísticas en cada foco de exploración. Metodología de interacción. Los artistas que construyen LAPIEZA tienen orígenes y legitimaciones dispares, por lo que su interrelación activa mecanismos de extrañamiento y deseo. Hay artistas emergentes (desconocidos, o periféricos a espacios de legitimación ortodoxos) y artistas con trayectoria, que funcionan como catalizadores. Se encuadran bien en lo que se ha dado en llamar “ecologías culturales”. Se trata de proyectos que articulan la producción de imágenes, textos o sonidos, con la exploración de las formas de vida en común, en principio renunciando a la producción de objetos artísticos convencionales, para iniciar o intensificar procesos abiertos de conversación e interacción que involucren a los artistas a través del nuevo y transformador vínculo generado. La importancia de la sinergia y la publicidad en el proceso creativo. LAPIEZA #1700 ART SERIES 145 NATURE BOY TP7 CONGRESO LUGO 133 DEEP SLEEP EXPOSICIONES | EXHIBITIONS 01 EXIT (18) 02 BAZAR (14) 03 MOSCA (16) 04 KIWI (22) 05 SOCIOPLASTICS (29) 06 SALES (31) 07 FIRE (28) 08 BALL (39) 09 PAN (35) 10 FASTFORWARD (36) 11 SUPERMARKET (28) 12 PLAYTIME (35) 13 MASA (25) 14 PULPA (33) 15 SAMBA (22) 16 DERIVA (21) 17 DESIERTO (35) 18 FAMILY (20) 19 OCÉANO (17) 20 GALAXIA (13) 21 BONUS (22) 22 TRIP (16) 23 NATURALISM (17) 24 POWER (18) 25 HOLE (20) 26 DESHIELO (17) 27 MISERIA (22) 28 GLAM (23) 29 GLOW (22) 30 EMPTY (25) 31 UNSTABLE (27) 32 MOTION (40) 33 GEOMETRY (41) 34 PROGRESSION (24) 35 TRACA (27) 36 GANGA (31) 37 RADICAL (23) 38 FRAME (19) 39 CLOUD (33) 40 PHANTOM (24) 41 SNOW (26) 42 TRANSLATION (30) 43 MUD (17) 44 BABYLON (23) 45 FUGAZ (16) 46 GLITTER (23) 47 COCKTAIL (22) 48 PARTY (21) 49 COSMOTIDIANO (26) 50 SED (13) 51 BULLET (18) 52 VULCANO (15) 53 DESEO (17) 54 SYSTEM (12) 55 EXPANSIVO (13) 56 NETA (15) 57 KISS (15) 58 NOWHERE (14) 59 ANTORCHA (14) 60 GOMA (14) 61 ENSAYOS POSICIONALES (13) 62 STRUCTURAL CONVERSATIONS (17) 63 FRESH MUSEUM (31) 64 SUGAR SUNSET (12) 65 NAKED EYE (12) 66 AERIAL ROOTS (13) 67 BANK ACCOUNT (9) 68 THICK SMOKE (13) 69 ZERO ZERO (10) 70 BUTTER FACTORY (9) 71 SWEET CORN BRUTALISM (14) 72 PERIODICAL INCISIONS AND DISSECTIONS (7) 73 EXFOLIATION (10) 74 WILD FLOWERS (10) 75 THE WORD (7) 76 MELAZA (1) 77 POMPA 1011 (1) 78 IDIOM (1) 79 READY (1) 80 CONCEPT (1) 81 SUCK (1) 82 PALMTREE (1) 83 FICUS (1) 84 WISTERIA (1) 85 LIPS (1) EXHIBITION 007 3X3X3X3X3 ARTNATION ///////// FLOCK ARTISTS avis Birks, E. B. Itso, Miren Doiz, Wolfgang Laib, Ann Hamilton, David Hammons, Li Wei, Vera Kox, Magali Reus, Pascal Broccolichi, Benjamin Sabatier, Ryan Gander, Elena Damiani, Nicole Wermers, Lucas Blalock, Daniel Buren, Ava Bernardine, Jimmy Robert, Jason Dodge, Vincent Fecteau, Hecdwin Carreño, Haegue Yang, Megan Rooney, Grace Schwindt, Maya Otsoko, Bad Bunny, Carol Bove, Li Songsong, Paolo Icaro, Ken Kelleher, G_RRR, Hectruso, Rubén Bonet, Thomas Vanlinge, Richard Hughes, Sean Scully, Elias Hansen, Gedi Sibony, Nadia Rose, Stéphane Thidet, David Hominal, Erica Mahinay, Laurence Carroll, Kieran Leach, Ashley Olah, Marcin Dudek, Mell, Ciro Duclos, Ben Quilty, Wayne Thiebaud, Katy Luise, Sasponella, Noah Verrier, Polina Osipova, 01SS1, Zhiyong Jing, Layana, Thundergirl, Alex Israel, Sterling Ruby, Liz Markus, Casey Richardson, Sam3, Yngve Holen, Alexandra January, Jeremy Everett, Anastasia Kolesnichenko, Hannah Levy, Kaari Upson, Mia Buckton, Nina Canell, John Gelper, Joël Andrianomearisoa, Erika Lee Sears, Charlotte Thrane, Wilhelm Sasnal, Sherman, Michael Zelehoski, Phib, Daniel Boccato, Davide Allieri, Gabriela Pelczarska, Nitsan Raiter, Mei Yue, Poppy Janelee, Leyla Aydoslu, Violet Dennison, Kallen Mikel, Adam Cruces, Floguan, Millie Steele, Jonny Paul Gillette, Lena Henke, Oso Parado, David Deweerdt, Park Hyunki, Tony Matelli, Richie Culver, Blair Thurman, Lawrence Abu Hamdan, Ben Duggan, Katharina Grosse, Charles Harlan, Andre Komatsu, Umut Yasat, Rutger de Vries, Robert Therrien, Prem Sahib, Michael Sailstorfer, Sara Tagaloa, Michael Johansson, Ad Minoliti, Gabriel Rico, Matt Calderwood, David Lamelas, Francesco Arena, Denim Destroyer, Louis Rubi, Ugo Rondinone, Sirous Namazi, Cyprien Gaillard, Alicja Kwade, Gertrude Platscheck, Ava Bernardine, Zhang Xiaogang, Mark Tennant, Urs Fischer, Eva Stenram, Shalvan Ikvashvili, Lynda Benglis, Salman Toor, Anselm Kiefer, Michael Sailstorfer, Shan Hur, Bashir Sultani, Misko, Quentin Deronzier, Aerika Bergstrom, Elle Britz, Anna Bazsik, Howard Schwartzberg, Françoise Vanneraud, Gohar Dashti, Mike Ballard, Anna Betbeze, JM Oliveira, Balam Bartolomé, Greta Ilieva, Wayne Horse, Julia Soboleva, Adriana Varejão, Kennedy Yanko, Arielle Bobb-Willis, Chantal Convertini, Chris Rhodes, Xavier Veilhan, Chen Fei, Senga Nengudi, Julian Charrière, Corey Klampp, John McKie, Mike Nelson, Nicola Matear, Francesco Arena, Zhanna Kadyrova, Moni Haworth, Jonathan Jones, Saskia de Brauw, Ben Zank, Martine Gutierrez, Carlos Darder, Nicolás Lamas, John Armleder, Melanie Arnold, Veronika Moos, Sin Sing, Nathaniel Robinson, Ophelia Finke, Julia Gault, Túlio Pinto, Delfina Carmona, Mari Katayama, Jill Mulleady, Matias Faldbakken, Charlotte Posenenske, Daniel Turner, Andra Ursuța, Annette Messager, Alexis Zambrano, Tyreek Winston, Sandra Sauceda, Cheri, Quentin Monge, Valerio Olgiati, Raphaela Vogel, Michael Weisskoeppel, Laurence de Leersnyder, Jens Wortmann, Paul Lee, John Divola, Megan Rooney, Jeff Muhs, Krista VanDerNiet, Li Hui, Chiharu Shiota, Maly Bretislav, Todd Robinson, Spike Dennis, Vincent Namatjira, Kajde Ojo, Koji Ryui, Donald Martiny, Brina Novara, Ruth Campau, Cyril Lancelin, Sofia Lenag, Raffi Kalenderian, Mickalene Thomas, Lisa Brice, Jen Aitken, Derrick Adams, Deborah Anzinger, Amy Sherald, David Kennedy Cutler, David Nash, Gabriel Sierra, Kim Inbae, Pablo Accinelli, Peter Anton, Joanna Piotrowska, Gina Beavers, Alex Farrar, Veit Stratmann, Richie Culver, Ann Green Kelly, Theaster Gates, Roeland Tweelinckx, Anuel Cornelius, Kathy Temin, Michele Mathison, Tom Putnam, Malte Bartsch, Rose Nestler TAR ART SERIES 143 144 LAPIEZA | 401 > 600 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 517 518 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600